USA-tour: Concerts and visiting professor: Concerts and visiting professor in Maryland, D.C, NY and Massachusetts

Berglind María Tómasdóttir

USA-tour: Concerts and visiting professor: Concerts and visiting professor in Maryland, D.C, NY and Massachusetts

Berglind María Tómasdóttir

Iceland University of the Arts

Iceland University of the Arts, Other Icelandic Research Institutions

Research output: Visual, Audio & Perfomative Exposition › Music

Abstract

Rachel Beetz, Julie Herndon, and Berglind María Tómasdóttir, in a program entitled Pareidolia Memories: Imagined faces in noises of sounds remembered. This collection of works and improvisations shared between the three musicians explores memory, recognition, time, places, people, and relationships between humans and non-humans. The works are intertwined with videos and sound interludes by Berglind Tómasdóttir reflecting on the theme in various ways.

The program featured works by Rachel Beetz (Viskuvinátta for alto flute and voice, Pareidolia), Berglind Tómasdóttir (minni ii: idyll for flute,
Elín Gunnlaugsdóttir — … geym oss í dag for two alto flutes and video, Paula’s Song: There for flute, electronics and video, Julie Herndon (Personal Devices, Electronic Etudes) and a joint improvisation.

February 13: Rhizome, Washington D.C.
February 14: UMBC, Department of Music
February 17: Lecture and Recital at Bard College
February 18-19: Lecture and Recital at Harvard University

Original language	English
Publication status	Published - 13 Feb 2025

Towards Holistic Musicianship: Reconsidering Social Structures within Western Music through Hybrid Practices and Collaborative Approaches
Tómasdóttir, B. M. (PI)
8/01/24 → …
Iceland University of the Arts, Other Icelandic Research Institutions
Project: Research

Cite this

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title = "USA-tour: Concerts and visiting professor: Concerts and visiting professor in Maryland, D.C, NY and Massachusetts",

abstract = "Rachel Beetz, Julie Herndon, and Berglind Mar{\'i}a T{\'o}masd{\'o}ttir, in a program entitled Pareidolia Memories: Imagined faces in noises of sounds remembered. This collection of works and improvisations shared between the three musicians explores memory, recognition, time, places, people, and relationships between humans and non-humans. The works are intertwined with videos and sound interludes by Berglind T{\'o}masd{\'o}ttir reflecting on the theme in various ways. The program featured works by Rachel Beetz (Viskuvin{\'a}tta for alto flute and voice, Pareidolia), Berglind T{\'o}masd{\'o}ttir (minni ii: idyll for flute, El{\'i}n Gunnlaugsd{\'o}ttir — … geym oss {\'i} dag for two alto flutes and video, Paula{\textquoteright}s Song: There for flute, electronics and video, Julie Herndon (Personal Devices, Electronic Etudes) and a joint improvisation. February 13: Rhizome, Washington D.C. February 14: UMBC, Department of Music February 17: Lecture and Recital at Bard College February 18-19: Lecture and Recital at Harvard University ",

author = "T{\'o}masd{\'o}ttir, \{Berglind Mar{\'i}a\}",

year = "2025",

month = feb,

day = "13",

language = "English",

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TY - ADVS

T1 - USA-tour: Concerts and visiting professor

T2 - Concerts and visiting professor in Maryland, D.C, NY and Massachusetts

AU - Tómasdóttir, Berglind María

PY - 2025/2/13

Y1 - 2025/2/13

N2 - Rachel Beetz, Julie Herndon, and Berglind María Tómasdóttir, in a program entitled Pareidolia Memories: Imagined faces in noises of sounds remembered. This collection of works and improvisations shared between the three musicians explores memory, recognition, time, places, people, and relationships between humans and non-humans. The works are intertwined with videos and sound interludes by Berglind Tómasdóttir reflecting on the theme in various ways. The program featured works by Rachel Beetz (Viskuvinátta for alto flute and voice, Pareidolia), Berglind Tómasdóttir (minni ii: idyll for flute, Elín Gunnlaugsdóttir — … geym oss í dag for two alto flutes and video, Paula’s Song: There for flute, electronics and video, Julie Herndon (Personal Devices, Electronic Etudes) and a joint improvisation. February 13: Rhizome, Washington D.C. February 14: UMBC, Department of Music February 17: Lecture and Recital at Bard College February 18-19: Lecture and Recital at Harvard University

AB - Rachel Beetz, Julie Herndon, and Berglind María Tómasdóttir, in a program entitled Pareidolia Memories: Imagined faces in noises of sounds remembered. This collection of works and improvisations shared between the three musicians explores memory, recognition, time, places, people, and relationships between humans and non-humans. The works are intertwined with videos and sound interludes by Berglind Tómasdóttir reflecting on the theme in various ways. The program featured works by Rachel Beetz (Viskuvinátta for alto flute and voice, Pareidolia), Berglind Tómasdóttir (minni ii: idyll for flute, Elín Gunnlaugsdóttir — … geym oss í dag for two alto flutes and video, Paula’s Song: There for flute, electronics and video, Julie Herndon (Personal Devices, Electronic Etudes) and a joint improvisation. February 13: Rhizome, Washington D.C. February 14: UMBC, Department of Music February 17: Lecture and Recital at Bard College February 18-19: Lecture and Recital at Harvard University

UR - https://music.fas.harvard.edu

UR - https://www.rhizomedc.org/new-events/2025/2/13/rachel-beetz-berglind-tmasdttir-julie-herndon

UR - https://music.bard.edu

UR - https://music.umbc.edu/events/event/137133/

M3 - Music

ER -

USA-tour: Concerts and visiting professor: Concerts and visiting professor in Maryland, D.C, NY and Massachusetts

Abstract

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Towards Holistic Musicianship: Reconsidering Social Structures within Western Music through Hybrid Practices and Collaborative Approaches

Cite this