Agape: Simon Cummings for 5:4

Lýsing

Agape: Simon Cummings for 5:4

Efni

Another, even more engaging quartet was the focus of Agape by Bergrún Snæbjörnsdottir. Across four large video screens, contrabass clarinet, harp, percussion and cello were progressively unveiled as the constituent parts – fundamental, harmonics, overtones and timbral offshoots – of one complex, resonant sound. As the camera revolved around them, their relationship to each other and to time itself became confused, telescoped, feathering into a delay trail of foreshadows and echoes. There was a growing sense throughout of wanting – needing! – the four to become truly aligned, and when this finally happened its vivid, long-awaited point of focus was glorious.