Útdráttur
This article presents a study of the Icelandic landscape concept, and its meaning and embedded connotations. The present-day understanding of the concept provides the point of departure to some of the oldest preserved examples of the term. The analysis thus centres upon the sagas of Icelanders that were written in the Middle Ages. The paper reveals that in the 14th century the concept referred to morphological qualities of land, and was often associated with an aesthetic appreciation thereof. The meaning of landscape as natural scenery has been explained as the outcome of artistic articulations of social relations in the wake of the Renaissance and Romanticism. Such accounts, however, do not explain the aesthetic connotations associated with the Icelandic landscape concept in the Middle Ages, described in this article. The results of the study thus indicate that there may be more to the landscape concept within the cultural domain defined by the Germanic languages than hitherto revealed, particularly in terms of aesthetic experiences of the natural environment. Subsequently, this article emphasises the importance of identifying the culturally embedded meaning of landscape as a concept in the Icelandic context, for successful implementation of the concept in planning practices.
| Upprunalegt tungumál | Enska |
|---|---|
| Síður (frá-til) | 177-192 |
| Síðufjöldi | 16 |
| Fræðitímarit | Norsk Geografisk Tidsskrift |
| Bindi | 66 |
| Númer tölublaðs | 4 |
| DOI | |
| Útgáfustaða | Útgefið - sep. 2012 |
Athugasemd
Funding Information: Acknowledgements. · This research was stimulated by the doctoral course ‘Landscape: Politics and Aesthetics’ held in 2008 by the Nordic Landscape Research Network. An earlier version of this article was presented at the Third Nordic Geographers Meeting, in Turku in 2009, as well as in seminars in Iceland in 2009 and 2010. I thank all those who contributed to the discussion during these occasions, and thus helped me to develop my arguments. I am also grateful to Karl Benediktsson, Gunhild Setten, and Þorvarður Árnason for their valuable insight and comments. My deepest thanks are due to the three anonymous reviewers for their constructive criticisms. Finally, I would like to thank The Árni Magnússon Institute for Icelandic Studies for various forms of assistance, and the Icelandic Research Fund for Graduate Students (Rannís), which provided financial support for the research.Fingerprint
Sökktu þér í rannsóknarefni „Landscape in the sagas of Icelanders: The concepts of land and landsleg“. Saman myndar þetta einstakt fingrafar.Vitna í þetta
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